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                <text>A partir del enfoque de las rebeliones indígenas del sur andino del Perú, se analizan las relaciones entre música, danza y la construcción del sujeto político; su genealogía en la narrativa arguediana y las indagaciones que destacan no sólo las tensiones sino los encuentros posibles que reparan las hondas fracturas e interrupciones históricas</text>
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&lt;p&gt;&lt;a href="https://www.revistas.usp.br/caracol/article/view/98668" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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