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Alquimia Peña &#13;
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Aproximación al cine comunitario&#13;
Alfonso Gumucio Dagron &#13;
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Horacio Campodónico&#13;
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Bolivia&#13;
Cecilia Quiroga San Martín &#13;
[Experiencias seleccionadas : Sistema Plurinacional de Comunicación de Pueblos Indígenas Originarios Campesinos e Interculturales, Centro de Formación Cinematográfica CEFREC, Coordinadora Audiovisual Indígena Originaria de Bolivia CAIB, Fortalecimiento de Prácticas de Comunicación Audiovisual con Jóvenes Indígenas y la TV Comunitaria de Copacabana]&#13;
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Brasil&#13;
Vincent Carelli &#13;
Janaina Rocha&#13;
[Experiencias seleccionadas : Associação Imagem Comunitária, A sede da aic é alugada, Coletivo de Vídeo Popular, Central Única de Favelas, Fora do Eixo, Vídeo nas Aldeias]&#13;
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Centroamérica&#13;
Irma Ávila Pietrasanta&#13;
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Chile&#13;
Cecilia Quiroga San Martín &#13;
[Experiencias seleccionadas : Señal 3 de La Victoria S3LV, Parinacota TV-Quilicura, ADKIMVN Comunicaciones]&#13;
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Colombia&#13;
Pocho Álvarez W. &#13;
[Experiencias seleccionadas : El Tejido de Comunicación, Colectivo de Comunicación Montes de María, Ojo al Sancocho]&#13;
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Cuba y el Caribe insular&#13;
Jesús Guanche &#13;
Idania Licea Jiménez &#13;
[Experiencias seleccionadas : Centro Memorial Dr. Martin Luther King Jr., Televisión Serrana TVS, Visión Común,  Festival Internacional del Cine Pobre, Muestra Nacional de Nuevos Realizadores, CREART, MEPLA, Muestra Itinerante de Cine del Caribe]&#13;
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Ecuador&#13;
Pocho Álvarez W.&#13;
[Experiencias seleccionadas : Festival Río de la Raya, Corporación de Productores Audiovisuales de las Nacionalidades y Pueblos CORPANP, Sarayacu]&#13;
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México&#13;
Irma Ávila Pietrasanta &#13;
[Experiencias seleccionadas : Programa de Transferencia de Medios Audiovisuales TMA, TV Tamix. Televisión Comunitaria en Oaxaca, Ojo de Agua Comunicación en Oaxaca, Promedios en Comunicación Comunitaria en Chiapas,  Colectivo Turix en Yucatán]&#13;
371-429</text>
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Paraguay&#13;
Horacio Campodónico &#13;
[Experiencias seleccionadas : Coordinadora por la Autodeterminación de los Pueblos Indígenas CAPI, Colectivo de Liberación de Información y Producción CLIP, Plataforma Nacional de Grupos de Teatros del Interior de Paraguay,  Festival de Cine Under Paraguay, Festival Internacional de Cine Arte &amp; Cultura Paraguay y FESTIDOC Paraguay]&#13;
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Perú&#13;
Cecilia Quiroga San Martín &#13;
[Experiencias seleccionadas : Asociación La Restinga, El Grupo Chaski : Red de microcines y cine participativo, Nómadas]&#13;
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Uruguay&#13;
Horacio Campodónico&#13;
[Experiencias seleccionadas : Cine con Vecinos CCV, Cine Insurgente, Colectivo Cine VerAz, Árbol Televisión participativa, Efecto Cine]&#13;
473-488</text>
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Venezuela&#13;
Nancy de Miranda&#13;
[Experiencias seleccionadas : Wayuunaiki, la experiencia wayuu, La Plataforma del Cine y Medios Audiovisuales, Cine móvil Huayra, Catia TV y Teletambores] &#13;
516-520</text>
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Sobre los autores&#13;
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Directorio&#13;
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&lt;p&gt;&lt;a href="https://library.fes.de/pdf-files/bueros/la-comunicacion/10917.pdf" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="139616">
                <text>El casabe, ayer y hoy</text>
              </elementText>
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                <text>El legado cultural indígena del Caribe y Amazonas</text>
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            <name>Description</name>
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                <text>En el presente, numerosos estudios nos hablan de la “europeización alimentaria” que sufrió América Latina, como consecuencia de la introducción de productos procedentes de Occidente desde época colonial. Sin embargo, es necesario resaltar el papel que tuvieron los alimentos americanos, no solo en la dieta de las comunidades indígenas sino también de los europeos. Es el caso del casabe, principal legado culinario indígena del Caribe y Amazonas, el cual ha logrado permanecer al paso del tiempo y a menudo se confunde con la arepa o pan de maíz.</text>
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            <name>Creator</name>
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              <elementText elementTextId="139619">
                <text>Alfredo Bueno Jiménez</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="139620">
                <text>Archipiélago, Revista Cultural de Nuestra América, V. 23, N° 90, </text>
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            <name>Publisher</name>
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                <text>México DF [MX] : Universidad nacional Autónoma de México [UNAM] : Centro de Investigaciones sobre América Latina y el Caribe [CIALC]</text>
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                <text>2015</text>
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              <elementText elementTextId="139623">
                <text>pp. 48-51</text>
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            <name>Identifier</name>
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              <elementText elementTextId="139624">
                <text>H_MA_11484+
&lt;p&gt;&lt;a href="https://www.revistas.unam.mx/index.php/archipielago/article/view/55139" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.researchgate.net/publication/326816558_El_casabe_ayer_y_hoy_Un_legado_culinario_indigena_del_Caribe_y_Amazonas" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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        <name>alimentación</name>
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        <name>alimentos amazónicos</name>
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        <name>Amazonia</name>
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        <name>cultura</name>
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        <name>gastronomía</name>
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        <name>Hispanoamérica</name>
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      <tag tagId="373">
        <name>mestizaje</name>
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      <tag tagId="211">
        <name>región amazónica</name>
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      <tag tagId="231">
        <name>seguridad alimentaria</name>
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