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                <text>[01]&#13;
Capítulo 1. 1892; los objetos precolombinos tejen historias &#13;
1.1. “Exponer” en un sentido universal &#13;
1.2. Exhibir y conmemorar 1892 : La construcción de una representación del pasado a través de los objetos&#13;
1.3. Colombia en la Exposición : Organizadores, tesoros y expectativas&#13;
1.4. Del tesoro como regalo&#13;
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Capítulo 2. De las numerosas huacas / Colectando los objetos precolombinos de la nación peruana a finales del siglo XIX&#13;
2.1. El Perú de los incas : Un foco transatlántico de atención arqueológica&#13;
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2.3. Del escrutinio científico exterior a la mirada “hacia adentro”&#13;
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2.5. La Sociedad Geográfica de Lima &#13;
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Capítulo 3. Coleccionistas, objetos precolombinos y museo / Un relato de las antigüedades en Colombia en el ocaso del siglo XIX&#13;
3.1. Vicente, del minero-científico al historiador : Viajes circulares&#13;
3.2. Entrecruces de la investigación histórica y los oficios&#13;
3.3. Del ethos áureo antioqueño&#13;
3.4. ¡Batatabatí!: Los “indios” y el oro&#13;
3.5. Legados familiares : Una primera mirada a Ernesto Restrepo Tirado&#13;
3.6. Del museo decimonónico y sus objetos&#13;
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Capítulo 4. De publicaciones, colecciones y museo / Las antigüedades precolombinas en el Ecuador en el ocaso decimonónico e inicios del siglo XX&#13;
4.1. Sobre Federico González Suárez y el convulso tránsito de siglo&#13;
4.2. Entre ruinas y antigüedades&#13;
4.3. Del Atlas Arqueológico de 1892 : Dibujar piezas, localizar orígenes&#13;
4.4. De los orígenes de la nación y sus objetos&#13;
4.5. De guaqueros, minas y objetos colectados&#13;
4.6. De un museo de antigüedades precolombinas con destino incierto&#13;
4.7. La Sociedad y las reliquias históricas&#13;
4.8. Advertir y saber coleccionar</text>
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Capítulo 5. Entre academias, institutos y museos / La nación y los objetos precolombinos a inicios del siglo XX&#13;
5.1. El museo colombiano en el naciente siglo XX&#13;
5.2. De las incidencias en el Museo&#13;
5.3. Ernesto Restrepo Tirado y el Museo&#13;
5.4. Restrepo Tirado y los objetos precolombinos en la colección del Museo&#13;
5.5. Entre catálogos e informes&#13;
5.6. El Instituto Histórico y el Museo : Perú y sus antigüedades a inicios del siglo XX&#13;
5.7. Max Uhle : De un museo metropolitano al Museo Nacional&#13;
5.8. Uhle y las colecciones : Inventariar, excavar, acopiar y legislar&#13;
5.9. Julio Tello y el Museo Nacional de Arqueología&#13;
5.10. De museos vivos, Manco Cápac y “panfletos”&#13;
5.11. De momias con “olores”&#13;
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- El hermanito de Dios - Alfonsina Barrionuevo&#13;
- El  minero - Alfonsina Barrionuevo&#13;
- La muerte del jaguar - Hernán Velarde Vargas &#13;
- La escopeta de Leoncio Qori - Hernán Velarde Vargas &#13;
- Abdón Cancha - Mario Florián&#13;
- Mataleones - Mario Florián&#13;
- Mama Alba - Carlos Zavaleta&#13;
- Cuarzo - Ciro Alegría&#13;
- Calixto Garmendia - Ciro Alegría&#13;
- Tata Mayo - Eleodoro Vargas Vicuña&#13;
- El desconocido - Eleodoro Vargas Vicuña&#13;
- Memoria por Raúl Muñoz Mieses - Eleodoro Vargas Vicuña&#13;
- Ley de fuga - José Ferrando&#13;
- Ushanan Jampi - Enrique López Albújar&#13;
- El campeón de la muerte - Enrique López Albújar&#13;
- El alfiler - Ventura García Calderón&#13;
- Amor indígena - Ventura García Calderón&#13;
- Paco Yunque - César Vallejo&#13;
- Más allá de la vida y la muerte - César Vallejo&#13;
- El séptimo huaco - Ernesto Reyna&#13;
- La momia del cacique - Francisco Vegas Seminario&#13;
- Mercedes Rueda  - Eugenio Buona&#13;
- Chcukchu - Manuel Robles Alarcón&#13;
- El destino de Santos Huayta - Gustavo Alencastre Montufar&#13;
- Amor como nube - Porfirio Meneses&#13;
- La hija en el otoño - Porfirio Meneses&#13;
- Ladislao el flautista - Francisco Izquierdo Ríos&#13;
- La piedra en el camino - Luis Álvarez Maza&#13;
- El pelón - Luis Álvarez Maza&#13;
- Vástagos del diablo - Rubén Sueldo Guevara&#13;
- La sequía - José Bonilla Amado&#13;
- Espigas pan y amor - Jorge Flores Ramos&#13;
- Utalia - Honorio Vásquez Mestas&#13;
- Los dos cerros - Carlota Carvallo de Nuñez&#13;
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