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&lt;p&gt;&lt;a href="https://doi.org/10.5944/etfiv.17.2004.5659" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://revistas.uned.es/index.php/ETFIV/article/view/5659" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="https://www.cervantesvirtual.com/obra/de-indias-a-chinas-la-incorporacion-de-las-mujeres-indigenas-en-la-transicion-de-la-colonia-a-la-republica-1219185/" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
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- II Encuentro continental de mujeres indígenas de las Primeras Naciones de Abya, “Avanzando en la diversidad, construyendo nuestra identidad” [Oaxaca-México DF, 4-7 dic. 1997].  Declaración de México Tenochtitlán.&#13;
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                <text>"En esta ponencia se analizan algunas obras en soporte audiovisual sobre las misiones de los dominicos en la Amazonía peruana. La producción conjunta entre TVE y el Centro Cultural José Pio Aza permite entender la tarea interlingüística e intercultural llevada a cabo en el marco de la evangelización y de transmisión del conocimiento de la Orden de Predicadores, a la luz de la técnica cinematográfica y del reportaje. Nuestro estudio pretende también contribuir al esclarecimiento de las normas y estilo del documental misionero en el ámbito audiovisual."</text>
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                <text>Alejandra Lapuerta Heras</text>
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                <text>Los dominicos españoles e iberoamericanos y la traducción [V. 3 : Traducción intersemiótica y artística.]. Antonio Bueno García, 2018</text>
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                <text>pp. 599-616</text>
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                <text>F_AN_11878+
&lt;p&gt;&lt;a href="https://dialnet.unirioja.es/servlet/libro?codigo=718285" target="_blank" rel="noreferrer noopener"&gt;Descarga1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://traduccion-dominicos.uva.es/bolonia/pdf/33%20LAPUERTA%20(n%C3%BAm.).pdf" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Amazonia</name>
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                <text>"Con el presente artículo y tal como se adelanta en el título queremos acercarnos al grupo étnico matsigenka. A pesar de los prolíficos estudios que abordan diversos aspectos de su cultura, aquí nos limitaremos a la relación de la Orden de los Dominicos con la cultura de los matsigenka resaltando por una parte interacción de los misioneros dominicos desde el punto de vista evangelizador, educador, fundador de misiones y por otra, desde el punto de vista antropológico, etnológico, lingüístico y cultural."</text>
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                <text>Los dominicos españoles e iberoamericanos y la traducción [V. 1: Traductor y traducciones en España e influencias europeas].  Antonio Bueno García, 2018</text>
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                <text>Granada [ES] : Editorial Comares</text>
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                <text>pp. 289-303</text>
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                <text>F_AN_11877+
&lt;p&gt;&lt;a href="https://dialnet.unirioja.es/servlet/libro?codigo=718285" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://traduccion-dominicos.uva.es/bolonia/pdf/15%20SERRA%20(n%C3%BAm.).pdf" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Sobre la concepción sincrética cultural andina en la platería de la sierra sur peruana</text>
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                <text>"El objetivo principal de este estudio es mostrar la concepción sincrética cultural andina, producto de la fusión cultural entre lo indígena y lo europeo, expresada en las obras de platería de la sierra del sur andino peruano, básicamente entre las regiones de Cusco y Puno. Se trata de analizar las obras formal e iconográficamente, contextualizándolas en su tiempo y espacio, es decir, interpretándolas en función de los fenómenos históricos, políticos, económicos, religiosos, ideológicos y socioculturales, y mostrar las sobrevivencias de nociones culturales nativas y el modo de apoderarse de la iconografía occidental en su favor..."</text>
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                <text>Luis César Ramírez León</text>
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                <text>"Trece ensayos sobre patrimonio cultural andino y amazónico [siglos XVI - XIX]".  Miguel Zugasti Zugasti [ed.].  Pamplona [ES] : Ediciones Universidad de Navarra S.A. [EUNSA] : Red de Investigadores sobre Patrimonio Cultural Iberoamericano, 2020, 230 p.</text>
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                <text>&lt;p&gt;&lt;a href="https://www.eunsa.es/libro/trece-ensayos-sobre-patrimonio-cultural-andino-y-amazonico-siglos-xvi-xix_107418/" target="_blank" rel="noreferrer noopener"&gt;EUNSA&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=Z97NufUivFE" target="_blank" rel="noreferrer noopener"&gt;Video&lt;/a&gt;&lt;/p&gt;</text>
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                <text>pp. 171-193</text>
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                <text>F_A_11875+
&lt;p&gt;&lt;a href="https://drive.google.com/file/d/1q16sNCPbjqFwIwYkmF6UHOwh5CN_IhL6/view?usp=sharing" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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      <tag tagId="617">
        <name>arte mestizo</name>
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        <name>arte republicano</name>
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        <name>arte virreinal</name>
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                <text>Em vista de contribuir para dar maior visibilidade ao tema das atividades artísticas das mulheres indígenas,1 na América Portuguesa, neste texto será apresentado um levantamento e uma análise de alguns relatos históricos da época da colonização — basicamente, crônicas de viajantes e jesuítas —, relacionando esses documentos com objetos artísticos reunidos pelo naturalista Alexandre Rodrigues Ferreira durante a Viagem Filosófica na Amazônia (1783-1792), existentes em acervos portugueses2. Para isso, será estudado o caso da produção de tintas e vernizes, e a preparação e decoração de cuias, pelas mulheres ameríndias pintoras da região do Baixo Amazonas, sobretudo, da Aldeia de Gurupatuba, atual Monte Alegre no Pará // &#13;
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