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                <text>Alberto Muenala y el tejido del tiempo</text>
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                <text>"Alberto Muenala es considerado el cineasta de los pueblos indígenas. Sus trabajos fílmicos recogen lenguajes, prácticas y símbolos del mundo indígena que el cine tradicional no aborda. Este perfil retrata al artista y al padre, al creador y al heredero de un pensamiento milenario."</text>
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                <text>Diego Cazar Baquero</text>
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                <text>La Barra Espaciadora [LBE],  1° set. 2016</text>
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                <text>Quito [EC] : La Barra Espaciadora</text>
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                <text>[9] p.</text>
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                <text>H_CO_11024+
&lt;p&gt;&lt;a href="https://drive.google.com/file/d/1LJlDq4xEUiGYdJpkwqu2vuir4FDDJNDs/view?usp=sharing" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Hacia una ontología del cine indígena en América Latina</text>
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                <text>"El objetivo de esta intervención es de considerar cómo el desarrollo de una categorización ontológica del archivo audiovisual autóctono en Abya Yala [o América Latina] –en este caso a base de los datos que aportan los festivales especializados de cine indígena– puede ofrecernos esquemas y una organización de datos cuyo objetivo no es la reducción de esta complejidad a una taxonomía que se impone sobre los datos sino una intervención interrogativa, crítica y abierta que permite entender no solamente el movimiento de ciertas producciones dentro de los festivales especializados sino también preguntar por las formas en las que se ha organizado la información que pertenece a las producciones autóctonas. En este sentido, se puede considerar una intervención crítica cuyo punto de partida es reconocer como problema para pensar el “colonialismo de los datos” como un problema crucial que es relevante para la producción audiovisual – sobre todo hoy en día digital y que circula por las redes – de los pueblos y comunidades indígenas. Este tema se puede considerar como un elemento clave dentro de la gubernamentalidad algorítmica de la que se trata esta serie de intervenciones del número especial de Pléyade".</text>
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                <text>Elcira Leyva Quintero</text>
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                <text>Pléyade - Revista de Humanidades y Ciencias Sociales, N° 32, jul-dic 2023</text>
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                <text>pp. 45-63</text>
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                <text>H_CO_11035+
&lt;p&gt;&lt;a href="https://www.revistapleyade.cl/index.php/OJS/issue/view/35" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Se analiza la difusión mediática de imágenes estereotipadas de mujeres indígenas, a partir de dos casos polémicos : El programa televisivo de humor "La Paisana Jacinta" en Perú, y el uso de la imagen de la mujer y la indumentaria maya en una revista de moda guatemalteca. </text>
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                <text>Gemma Celigueta</text>
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                <text>Andreu Viola</text>
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                <text>Disparidades - Revista de Antropología, V. 76, N° 2, jul-dic 2021</text>
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                <text>Madrid [ES] : Centro de Ciencias Humanas y Sociales [CSIC] : Instituto de Lengua, Literatura y Antropología [ILLA]&#13;
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                <text>pp. 1-7</text>
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                <text>H_CO_11034+
&lt;p&gt;&lt;a href="https://doi.org/10.3989/dra.2021.015b" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://dra.revistas.csic.es/index.php/dra/article/view/898" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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                <text>La sociedad filmada. Apuntes sobre la historia del Perú a partir de tres películas</text>
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                <text>Se analiza, desde la perspectiva de la historia social, tres filmes que pueden considerarse paradigmáticos de la historia del cine peruano : "Yo perdí mi corazón en Lima" [1933], "Kukuli " [1961] y "Muerte al amanecer" [1977], a partir de los postulados teóricos de investigadores como Marc Ferro y de la Cinematic Contextual History. </text>
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&lt;p&gt;&lt;a href="https://drive.google.com/file/d/1WqbBZa80TgBEOc0g15JLeafWvFPtxWxD/view?usp=sharing" target="_blank" rel="noreferrer noopener"&gt;Descarga&lt;/a&gt;&lt;/p&gt;</text>
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Acceso público.  </text>
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                <text>Aporte de Hideyo Noguchi a la psiquiatría y a la investigación científica en el Perú</text>
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                <text>Trabajo presentado en las Primeras Jornadas Psiquiátricas del INSM.  "El Dr. Noguchi abrió las puertas de la Cooperación Médica con el Perú, siendo el primer científico japonés que brindó su técnica al servicio del pueblo peruano en el campo de la medicina preventiva."</text>
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                <text>Anales de Salud Mental, V. 1, N° 1-2, 1985</text>
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                <text>pp. 225-228</text>
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                <text>H_S_11008+
&lt;p&gt;&lt;a href="https://search.bvsalud.org/portal/resource/es/biblio-1106046" target="_blank" rel="noreferrer noopener"&gt;Descarga 1&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="https://openjournal.insm.gob.pe/revistasm/asm/article/view/453" target="_blank" rel="noreferrer noopener"&gt;Descarga 2&lt;/a&gt;&lt;/p&gt;</text>
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