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Presentación&#13;
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Prólogo&#13;
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Introducción&#13;
Carmen María Pinilla&#13;
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Parte 1: Escribiré con sangre; no por profesión [1928-1941]&#13;
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Parte 4: "O actor o nada" [1963-1969]&#13;
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26. La clase media [1964]&#13;
27. La sinfónica y el Grupo "Histrión" en Huancayo [1964]&#13;
28. Todas las sangres [cap.  IV] [1964]&#13;
29. Carta a Nelly Arguedas [1965]&#13;
30. Intervención durante el Primer Encuentro de Narradores Peruanos [1965]&#13;
31. Pongoq mosqoynìn [El sueño del pongo] [1965]&#13;
32. Llamado a algunos doctores [poesía] [1966]&#13;
33. Carta a Lola Hoffmann [1966]&#13;
34. Mesa Redonda sobre el monolingüísmo quechua y aymara y la educación en el Perú [1966]&#13;
35. Dioses y hombres de Huarochirí [cap. XXVIII, 1966]&#13;
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37. El horno viejo [1967]&#13;
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39. Carta a Ángel Rama [1967]&#13;
40. Carta a Alejandro Ortiz Rescaniere [1967]&#13;
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42. Carta a John Murra [1969]&#13;
43. El Ejército Peruano [1969]&#13;
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Anexos /&#13;
- Producción [bibliográfica] de Arguedas&#13;
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Enrique Ballón Aguirre &#13;
Rodolfo Cerrón-Palomino&#13;
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Inés Pozzi -Escot&#13;
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Madeleine Zúñiga&#13;
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El bilingüismo de los unos y los otros: Diglosia y conflicto lingüístico en el Perú &#13;
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"En aquí", en la zona aimara: sobre algunos elementos de relación del castellano en Puno &#13;
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